Saverio Guerra

Becker (1998) s01e12 – Love! Lies! Bleeding!

Either I made the comment you knew “Becker” was troubled when not even a solid sitcom director like Andy Ackerman could make an episode work or I meant to make that comment. This episode has Ackerman back and, this time, he’s able to compensate for some of writer Michael Markowitz’s stumbles. Not the misogynist stuff with Alex Désert but there are only so many miracles one can work. So, this episode’s the Valentine’s Day episode and Ted Danson hates Valentine’s Day. He has a rant about its suspect history, which doesn’t seem—based on a Wikipedia glance—to be accurate. If Danson’s going to rant about something, he’s got to be right. Otherwise he’s just a blowhard. The point is he’s right, not he’s a blowhard. Or at least when it works.

But it doesn’t work with Désert or Terry Farrell this episode. Danson implies Désert’s girlfriend is ugly and Désert freaks out, the unspoken joke (for a while) Désert’s blind so what does he care. He cares because he’s a misogynist and so’s Danson. Joy. When Danson later comforts a female patient, it takes a moment before he’s obviously sincere. For a second, you’re expecting him to dig in and humiliate her because… it’s a laugh somehow? At least in Markowitz’s mind.

The episode is Danson running into different kinds of Valentine’s Day goings on, but not specific to the holiday, just romance in general. There’s the girlfriend who stabs the cheating boyfriend, there’s the teenager who wants a vasectomy so he can have unsafe sex, there’s the female patient, who’s allergic to roses. Curmudgeon Danson just can’t get away from signs of love, not even at the office where Shawnee Smith has a whole relationship in one day over the phone (minus the consummating, which might be for the best but also maybe not) and Hattie Winston gets to… talk about her offscreen plans and shake her head at Smith and Danson. Not a great episode for Winston. Or Smith. But Smith at least gets material.

The episode’s got some successful moments, including the return of Saverio Guerra, whose every moment is fantastic. He’s back to torment Farrell and probably a little worse of a guy than Danson and Désert, but not much.

The show’s bottom is higher than before, which is good.

Becker (1998) s01e11 – Scriptus Interruptus

I feel a little like one of those jokes about training an AI to write something because this episode of “Becker”—specifically how I write about it—is going to be very similar to the last time I wrote about an episode of “Becker” written by Ian Gurvitz.

I thought having Andy Ackerman directing would make a difference. Nope. It’s still a very Gurvitz episode. Ted Danson’s rants have that sensational edge to them. Sensational versus inspired. It’s also weird because last episode Danson supposedly learned he didn’t like it when people stopped wanting him as a doctor because of his mouth. This episode doesn’t acknowledge any change.

Also bad with Gurvitz is whatever he’s doing with Terry Farrell. Moving her around, giving her bad lines, it’s a real bummer because she was starting to get her comedy bravado down and instead she’s floundering again. But because of the script having jack for her.

The script’s also got jack for Hattie Winston, which seems weird because the show knows Winston’s awesome. The show—Gurvitz even I’m fairly sure—has showcased her. She gets jack here. Shawnee Smith ostensibly gets more—she’s in between apartments and has to live in the medical office—but she doesn’t actually get more. She’s just around a little more than usual. Not leading scenes around or having a subplot around, just physically around. To give Danson a yelling target.

The episode’s about Danson having to write a medical article and not being able to get any solitude to do so. Spoiler, he pulls it out of his ass, because “Becker” is arguably a more adept version of, you know, “House M.D.” He’s a brilliant jackass. Please laugh.

Alex Désert gets a subplot with Kenna J. Ramsey. Ramsey wants to move in together, Désert doesn’t. It’s a subplot set entirely in the diner, somewhere else for the camera to go when Danson and Farrell are taking a break from expository banter.

It’s not an endearing subplot.

Elya Baskin’s fun as Danson’s new super. It’s a silly, lazy bit but he’s still fun.

This show is so rocky. It’s way too inconsistent, quality-wise. Sure, people watched it once a week but it’s not like you’d care about tuning in after a couple stinkers.

Relatively, obviously, for a generally well-acted and competently produced sitcom. I just want it to get better. Or at least less inconsistent in its mediocre.

Becker (1998) s01e09 – Choose Me

It hadn’t occurred to me some of “Becker”’s problem so far might have been direction. I rarely think about sitcom (the three-camera style) direction. They’re just going through the same kinds of shots over and over. But then again, maybe some of the directors are infinitely better with the format and the actors. Case in point, Choose Me is immediately divine, both in direction (Andy Ackerman) and writing (Marsha Myers). It’s funny from the start, without going in too hard on any of the characters (or even supporting cast). The show’s immediately got a better sense of itself. I wonder if Myers and Ackerman team up again; fingers crossed.

This episode’s about Terry Farrell getting hockey tickets and deciding to torture Becker (Ted Danson) and Jake (Alex Désert) over who gets to go with her. She’s finally got personality, gumption, a sense of humor. It’s a really nice, really immediate turn for the positive.

So that’s the A plot, then Danson’s got a B plot involving a disease he can’t crack no matter what he tries (including turning his hookup with fellow doc Colleen Quinn—who’s really good for someone almost no credits—into a cram session), while Farrell and Désert are contending with the return of Bob (Saverio Guerra). Guerra’s phenomenal. His absurdity brings the show a very nice sense of balance. When Danson mocks someone, it’s usually just a regular guy. Guerra’s a caricature of a caricature of a jackass. So when he’s a target, it’s just works better.

Yes, it does suggest some of the key to “Becker” is finding the right person to mob and bully, but… it’s a sitcom and Guerra’s an intentional creep (though not too much of a creeper).

Hattie Winston and Shawnee Smith are mostly just occasional support for Danson, but Winston’s got an amazing flight attendant bit. She’s always about to laugh too, but pulls it in. I wonder if Winston did it in the first take or if she lost it. It’s a great scene. She’s awesome. And Smith has a really good scene at the end.

Myers and Ackerman make all the difference.

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